| 1¹ | MILIK knocked the ball to ENIS who turned it over the bar. |
| 9¹ | GUMIENNY books BUONANOTTE. |
| 11¹ | The FC Porto 'keeper did well to hold onto a fierce shot from MILIK. |
| 15¹ | The 'keeper was able to palm clear a powerful effort. |
| 18¹ | A good ball from KJÆRGAARD on the left fell to MILIK who sliced his effort over the bar. |
| 24¹ | A clumsy foul on ENIS by TAREMI results in a booking. |
| 29¹ | A penalty box scramble resulted in OTAVIO tapping a low shot wide. |
| 30¹ | An outswinging corner was nodded into the arms of TURATI by BUONANOTTE. |
| 41¹ | TAREMI was put clear by OTAVIO and he dummied TURATI but struck his shot just beyond the far post. |
| 42¹ | LARRAZABAL worked the ball to AIDOO, KJÆRGAARD controlled his pass and booted the ball within easy reach of the 'keeper. |
| 5² | A poor strike from BUONANOTTE bounced agonisingly wide. |
| 7² | GOAL!! Some useful work by OTAVIO on the left, left JOÃO FERREIRA yards clear, and he dummied TURATI and slammed the ball into the back of the net. (1-0 FC Porto)| 10² | A corner bobbled toward ABOUBAKAR who touched the ball inches wide. | | 11² | A lovely effort from CORONA scraped the outside of the lefthand post. | | 12² | GOAL!! FC Porto were awarded a penalty after a foul on STEPHEN EUSTÁQUIO and ABOUBAKAR put it past TURATI. (2-0 FC Porto)| 15² | GOAL!! After LUIS ALBERTO was bundled over the ref waved play-on and KJÆRGAARD went on to comfortably score. (2-1 FC Porto)| 28² | OTAVIO shot wide. | | 33² | BUONANOTTE beat LUIS ALBERTO and drove the ball to CORONA who blasted his effort wide. | | 35² | TAREMI made space on the right and knocked the ball to OTAVIO who rasped the ball wide. | | 37² | GOAL!! A neat one-two left ABOUBAKAR clear and he made no mistake by cleverly drifting the ball past the oncoming 'keeper. (3-1 FC Porto)| 37² | GOAL!! A great dummy from LARRAZABAL allowed BROWN to lay a nice ball off to MILIK who thrust the ball into the back of the net. (3-2 FC Porto)| 44² | ENIS brought the ball past BUONANOTTE and stroked a weak shot into the crowd. | | | | | |